Blige, Keith Murray (vocals) Chucky Thompson, Herb Middleton (various instruments) "Bassy" Bob Brockmann (strings, keyboards, programming) Regina Carter, Diane Monroe, Lesa Terry (violin) Eileen Folson (cello) Gloria Agostini (harp) "Prince" Charles Alexander (flute, piccolo, tenor saxophone) Mark "Led" Ledford, Bruce Purse (trumpet) Lenny Underwood (piano) Victor Bailey (bass) Kevin "K-Dog" Johnson (drums) LaTonya J. Blige is telling her audience she grew up the same way they did, listened to the same things, was influenced by the same situations. NME (Magazine) (1/7/95, p.34) - 7 (out of 10) - ".In rap, the beats sometimes seem irrelevant compared to the chat: here they reign supreme. Musician (3/95, p.88) - "As the album's intro makes plain, even Blige's own camp worried whether she could `do it again,' and to be honest, she doesn't-she does it how to work a groove." Vibe (12/99, p.160) - Included in Vibe's 100 Essential Albums of the 20th Century continues soaring to soulful heights over streetwise beats." - Rating: B Spin (9/99, p.156) - Ranked #72 in Spin Magazine's "90 Greatest Albums of the '90s."Įntertainment Weekly (11/25/94, p.77) - ".more serious than her crossover 1992 debut. Rolling Stone (5/13/99, p.74) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (10/31/02, p.136) - Ranked # 17 in Rolling Stone's "Women in Rock: The 50 Essential Albums" - ".Opaque, seductive."
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |